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            Selections from the newest installment of the PalFest Bookshelf and more.   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏
        
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      <h4 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.5em;mso-line-height-alt:1.5em;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:.02em;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">From the PalFest Bookshelf:</span></strong></h4>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>Selections from </strong><em><strong>Heaven Looks Like Us: Palestinian Poetry</strong></em></h3>
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  <a href="https://www.palfest.org/bookshelf" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/132798c2-aa35-4ddd-be8e-80ad2eaa20c5/IMG_1403.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">The latest installment of the PalFest Bookshelf is <em><a href="https://www.palfest.org/bookshelf" rel="nofollow" style="color:#cd1417 !important;"><strong>Heaven Looks Like Us</strong></a></em>, a brand-new anthology of contemporary Palestinian poetry edited by Noor Hindi and George Abraham. <em><a href="https://www.palfest.org/bookshelf" rel="nofollow" style="color:#cd1417 !important;"><strong>Heaven Looks Like Us</strong></a> </em>is a battle-cry against the annihilation of a people. As Palestinian history remains haunted by exile, violence, and grief, so, too, are the poems in this anthology. And yet, editors George Abraham and Noor Hindi present these realities alongside other themes that are also true: queer and feminist perspectives, eco-poetry, meditations on love and time, and lineages of protest. </p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">“We hope,” Hindi and Abraham write in their epilogue, “in the words of Lina al-Sharif, ‘When / we are free, / this land will know peace / the poem will be complete.’ Until liberation, we hope this anthology provides the rage, love, and kinship we need to continue resisting in big and small ways.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Below you can read five poems from the collection, poems that Hindi and Abraham call “poems of survival and abundant love.”</p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">from <strong>And most of all I would miss the shadows of the tree’s own leaves cast upon its trunk by the orange streetlight in the sweet blue darks of spring</strong></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:1em;" class="">by Mira Mattar</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:1em;" class="">&nbsp;&nbsp;bird lungs burn<br>tiny sleeps the<br>&nbsp;&nbsp;elevator brain<br>&nbsp;cords shaft &amp; tremble<br>&nbsp;&nbsp;city razed again&nbsp;<br>&nbsp;dream incubated luxuries<br>&nbsp;&nbsp;&nbsp;blaze &amp; gasp &amp; char<br>&nbsp;of library &nbsp; kids of Beita<br>&nbsp;dazzle settlers<br>&nbsp;with fires flares &amp; lasers&nbsp;<br>&nbsp;headlights phone torches<br>&nbsp;stripe their nights to<br>sleepless mirrors&nbsp;<br>&nbsp;&nbsp;hallucinating nation<br><br>*<br><br>inessential&nbsp;<br>dream to be<br>&nbsp;‘Palestinian’ is<br>&nbsp;a position no&nbsp;<br>an orientation no<br>&nbsp;it is the whole<br>&nbsp;compass no<br>it is the stars<br>&nbsp;themselves no<br>&nbsp;it is the way&nbsp;<br>&nbsp;I’m going no<br>it is the way&nbsp;<br>&nbsp;to go no&nbsp;<br>&nbsp;it is the way&nbsp;<br>&nbsp;&nbsp;to stay no<br>&nbsp;it is the way&nbsp;<br><br>*<br><br>blue wolf<br>&nbsp;watches&nbsp;<br>&nbsp;every dream<br>spoon melt<br>&amp; twist&nbsp;<br>the sun<br>&nbsp;within its<br>hollow bowel<br>to madness<br>&nbsp;no rest<br>inside what<br>watches<br>&nbsp;no sleep no<br>sleep my<br>&nbsp;darlings</p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Ordinary Grief</strong><br>by Maya Abu Al-Hayyat<br>(translated from the Arabic by Fady Joudah)</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:1em;" class="">I loved you, my love,<br>there’s no doubting or denying it,<br>no justification or synopsis,<br>there isn’t even a story behind it.<br>It was a collision.<br>The stairway was rising,<br>the heavens descending,<br>and the roads had softened.<br>I loved you, my love,<br>as words gather in a poem<br>and remain forever,<br>immortal, true, and quotable.<br>And just as death ceases to be<br>a logo of end or separation,<br>I loved you for life<br>to become elegant, dignified,<br>useful, for the seasons<br>to succeed one another,<br>rhythmic and precise,<br>for cruelty to rationalize<br>our capacity to resist, endure.<br>There’s no doubt or denial.<br>Look at them, my sighs<br>as they rise for twenty years.<br>And check my gaze that recognizes<br>you in an instant<br>whenever you pass in a breeze,&nbsp;<br>look at them as they break<br>over sidewalks and king-size beds,<br>and you’ll know, my love,<br>that I loved you&nbsp;<br>without evidence,&nbsp;<br>motive, or demand.</p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Punctum/Metaphor</strong><br>by Carolina Ebeid</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:1em;" class="">Love remains a kind of present tense. This is how we describe the scenes in photographs—as though the actions in them were still happening. My father is throwing a rock in this picture. My father keeps lions in his chest &amp; they rip apart a gazelle in this picture.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:1em;" class="">A man throwing a rock; the image holds an old grammar. This rock has yet to leave the hand, to measure the horizontal span from A to B. Nor has it completed the vertical distance from first line to last line, riding a tangle of syntax. The photograph captures a skirmish in the West Bank town of Nablus; the man hurling the rock is my father insofar as Juliet is the sun.</p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>The Best Way to Give Roses</strong><br>by Yahya Ashour</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:1em;" class="">My father never gave a bouquet of roses</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:1em;" class="">to my mother,</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:1em;" class="">he gave her rose seedlings.</p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>PORTRAIT OF ME AS BREAD BAKING IN JERUSALEM</strong><br>by Summer Farah</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:1em;" class="">I WAS THERE! I WAS THERE! I WAS ALWAYS&nbsp;<br>THERE! A BALL OF DOUGH INFLATING&nbsp;<br>UPON THE SAJ UNTIL IT FALLS INTO WARMTH.&nbsp;<br>I WAS THERE! A BREAKFAST LAID OUT UNDER THE&nbsp;<br>OLIVE TREES AFTER AN EARLY MORNING HARVEST.&nbsp;<br>I WAS THERE! FILLED WITH SALTY CHEESE WHILE&nbsp;<br>FISH BOB FOR WATERMELONS IN THE ICY LAKE.&nbsp;<br>THERE, BY THE CHURCH IN ICRITH, TO SERVE&nbsp;<br>ALONGSIDE FIGS, TREES NEVER PREDICTING&nbsp;<br>THEY WERE SOON TO BE ORPHANED. I&nbsp;<br>WAS THERE! LEFT ON THE TABLE NEXT&nbsp;<br>TO STILL-WARM CUPS OF TEA, THE SHUFFLE&nbsp;<br>OF KEYS BEING STOWED. I WAS THERE,&nbsp;<br>SETTLERS SETTING FIRE TO LAND. I WAS THERE&nbsp;<br>TRUNKS FALLING TO SOOT. I WAS THERE,&nbsp;<br>EARTH MOURNING THE BODIED ASH.&nbsp;<br>I WAS THERE, A PEOPLE DISPOSSESSED.&nbsp;<br>I WAS ALWAYS THERE. I AM ALWAYS HERE.&nbsp;<br>THE FIRST MADE ALONG RIVER BANKS, GRAINS&nbsp;<br>OLDER THAN SETTLER THAN STATE THAN TANKS<br>THAN BORDERS THAN BOMBS THAN&nbsp;<br>BRITISH THAN EMPIRE &amp; STILL&nbsp;<br>NEVER LEAVE THE HANDS THAT MAKE ME!</p>
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      <div class="section-caption-text" style="position:relative;"><p class="" style="font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;color:#313131;">Visit the <a href="https://www.palfest.org/bookshelf" rel="nofollow" style="color:#cd1417 !important;">PalFest Bookshelf</a> to find out more about <em><strong>Heaven Looks Like Us</strong></em>, and consider subscribing for a curated selection of the best new books on Palestine.</p></div>
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  <a href="https://mizna.org/event/wfp2025-june/" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/10edbe99-9a28-4431-92ec-fc30d39a063e/wfp-june-sq-copy-1.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Join Mizna’s monthly online series <a href="https://mizna.org/event/wfp2025-june/" rel="nofollow" style="color:#cd1417 !important;"><strong>Words for Palestine</strong></a> which aims to center and highlight Palestinian voices during this devastating time.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:15px;margin-bottom:15px;" class="">This special edition on June 26 celebrates writing in&nbsp;<em>Mizna’</em>s most recent issue, <em><a href="https://mizna.org/product/mizna-25-2/" rel="nofollow" style="color:#cd1417 !important;">Futurities</a></em>, and features readings from sara bedri, Malak Hijazi, Najwa Juma, Aya Krisht, Ladan Osman, and Maya Salameh.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://mizna.org/event/wfp2025-june/" rel="nofollow" style="color:#cd1417 !important;">Visit Mizna more information, and to RSVP for this free event.</a></p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Hala Alyan and Sara Deniz Akant are hosting a special Pride edition of <a href="https://www.instagram.com/kan.yama.kan.bk/" rel="nofollow" style="color:#cd1417 !important;">Kan Yama Kan</a>.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Featuring readings, artwork, flash tattoos, raffles,and more, the event is raising funds to support educational initiatives in Gaza.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.eventbrite.com/e/special-edition-of-kan-yama-kan-prints-flash-tattoos-music-poetry-tickets-1425476331079" rel="nofollow" style="color:#cd1417 !important;">You can find more details and reserve your tickets here.</a></p>
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  <a href="https://palestinecampaign.org/events/conference-free-palestine-bds-at-20/" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/b5c822b2-cd85-4577-a223-da7a84bc4542/thumbnail_PSC-UPDATED--e1749453730856.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">20 years ago, Palestinian civil society organisations, representing an absolute majority of all Palestinians in their homeland and in exile, issued a historic call for people of conscience to engage in boycott and divestment campaigns, and demand targeted sanctions like arms and trade embargoes, in order to break the state, corporate and institutional complicity that upholds Israel’s system of oppression. The call has provided a strategy for people around the world to engage in meaningful action to help create the conditions for Palestinians to succeed in their struggle for freedom and justice.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:1.3em;" class="">The 20th anniversary of the call comes as Palestinians continue to face one of the darkest hours in their enduring liberation struggle. Israel’s genocide in the Gaza Strip continues, with many tens, if not hundreds of thousands of Palestinians killed. Across the rest of Palestine, Israel is ramping up its land grabs, ethnic cleansing and military invasions.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:1.3em;" class="">Ending British complicity in Israel’s genocide, settler-colonialism and apartheid couldn’t be more urgent.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:1.3em;" class="">This major conference in London will look at how we escalate our targeted boycott campaigns against complicit corporations, continue to win divestment from councils and universities, and step up our call for sanctions on Israel.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://palestinecampaign.org/events/conference-free-palestine-bds-at-20/" rel="nofollow" style="color:#cd1417 !important;">For more details, and to reserve your tickets, visit Palestine Solidarity Campaign.</a></p>
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  <a href="https://bookshop.org/a/16160/9781646053797" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/e19e28aa-ce99-41df-ba81-ccc455344b0e/Tbakhi+BOTW+copy.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <blockquote style="padding-left:20px;padding-right:20px;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em>In this debut collection electric with grief, rage, and love, <strong>Fargo Nissim Tbakhi</strong> enacts the liberatory possibilities of a language reclaimed. Through a variety of invented forms and stirring unravelings, these poems tunnel, excavate, eulogize, exclaim, and most elegantly imagine where we might go once we reject the dehumanizing gaze and obsessions of a crumbling empire and return to ourselves and to each other. <a href="https://bookshop.org/a/16160/9781646053797" rel="nofollow" style="color:#cd1417 !important;"><strong>TERROR COUNTER</strong></a> will crack your heart open. Let it, let the light come pouring in.</em></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">—Lena Khalaf Tuffaha</p></blockquote><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://bookshop.org/a/16160/9781646053797" rel="nofollow" style="color:#cd1417 !important;"><strong>TERROR COUNTER</strong></a></em> is a debut collection of poems which acts against the many languages—interpersonal, legal, literary, rhetorical—constricting the lives and meanings of Palestinians.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Moving through sections of varying experimentalism, from an invented visual form (the Gazan Tunnel) to all-caps queer ecstatic, <strong>Fargo Nissim Tbakhi</strong> here attempts to carve out a space for the negotiation of an alternative subjecthood. </p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">The voices in this collection are driven by despair, futility, utopia, vulnerability and the spirit of a collective liberation; they move in search of a lyrical voice which can inhabit both the paranoid preservationist mode that facilitates Palestinian survival, and the imaginative possibilities that might make possible Palestinian life. <em><a href="https://bookshop.org/a/16160/9781646053797" rel="nofollow" style="color:#cd1417 !important;"><strong>TERROR COUNTER</strong></a></em> asks: where and how might a Palestinian subject escape the public consumption of American letters? And, ultimately, how can we continue to love each other amidst the endless terror of the colonial world?</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><strong>TERROR COUNTER</strong></em> publishes tomorrow. You can get a copy on our Bookshop (<a href="https://bookshop.org/a/16160/9781646053797" rel="nofollow" style="color:#cd1417 !important;">US</a> / <a href="https://uk.bookshop.org/p/books/terror-counter-fargo-nissim-tbhaki/7736118?ean=9781646053797" rel="nofollow" style="color:#cd1417 !important;">UK</a>).</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>Media Roundup</strong></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.madamasr.com/en/2025/06/16/feature/politics/to-set-sail-again-and-again-and-again-until-gaza-is-free-huwaida-arraf-on-the-freedom-flotilla-coalition/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">To Set Sail Again and Again and Again Until Gaza is Free</span></strong></a> – Farah Fangary interviews Huwaida Arraf, who has been organizing voyages to challenge the blockade of Gaza since 2008, about the impact of the Madleen, the activists who remain in Israeli detention, and the ongoing work of the Freedom Flotilla Coalition.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://proteanmag.com/2025/06/16/to-gaza-an-interview-with-nasser-rabah/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">To Gaza: An Interview with Nasser Rabah</span></strong></a> – Alex Tan interviews the poet Nasser Rabah about his recently published collection <em>The Poem Said Its Piece</em>, his favorite Palestinian poetry, and his hopes for the future.<strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">&nbsp;</span></strong></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.parapraxismagazine.com/articles/axes-of-resistance" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Axes of Resistance</span></strong></a> – Séamus Malekafzali studies the historical emergence of the Axis of Resistance in the wake of the Naksa, showing how the actually-existing and plural Axes of Resistance is quite different from the one conjured by Western and Zionist media.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://thebaffler.com/latest/the-annexation-of-the-west-bank-is-complete-nathaniel" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The Annexation of the West Bank Is Complete</span></strong></a> – Jasper Nathaniel offers a grim assessment of how the settler movement has been enshrined in policy since October 7, and how the genocide in Gaza has been used to distract from the Zionist takeover of the West Bank.<strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">&nbsp;</span></strong></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://mondoweiss.net/2025/06/from-gaza-to-iran-israel-is-fighting-to-maintain-western-empire/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">From Gaza to Iran, Israel is Fighting to Maintain Western Empire</span></strong></a> – In the wake of Israel’s bombing of Iran, Yoav Haifawi examines how Israel has long served as a lever for Euro-American material and political interests in the Middle East.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://nymag.com/intelligencer/article/israel-palestine-gaza-war-crimes-genocide.html" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Crimes of the Century</span></strong></a> – Suzy Hansen takes a detailed survey of how international legal institutions are navigating the well-documented brazenness of Israel’s war crimes, ultimately asking why they continue to fail to act.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://massreview.org/2025/06/20/why-must-we-be-heroes/?fbclid=PAQ0xDSwLEh9FleHRuA2FlbQIxMQABp95haw6Njv8KLE8MYh4N7bwG4ZAtAjBX20-DVbntpYt7LT2RVhTvmztA-ZAD_aem_wBfiYcg_LiP232-luizAGA" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Why Must We Be Heroes?</span></strong></a> – T.S., a young mother in Gaza, resents the ways that the world has made Palestinians always have to be strong, steadfast, and resilient.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://proteanmag.com/2025/06/22/zionism-breaks/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Zionism Breaks</span></strong></a> – Alberto Toscano reads the works of Jewish leftists Franco Fortini and Furio Jesi, which grappled with the ethical imperative of renouncing Zionism as a colonial ideology.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://newlinesmag.com/argument/the-psychological-barrier-broken-by-iran-and-israels-missile-exchange/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The Psychological Barrier Broken by Iran and Israel’s Missile Exchange</span></strong></a> – Kareem Shaheen and Rasha Elass reflect on the long-held Realpolitik approach to Iran by the West, “that any provocation of Iran would spark an all-encompassing regional war,” suggesting that we have entered uncharted territory. <strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">&nbsp;</span></strong></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://untoldmag.org/automated-surveillance-targeted-killings-and-ai-warfare-in-gaza-a-conversation-with-khalil-dewan/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Automated Surveillance, Targeted Killings, and AI Warfare in Gaza</span></strong></a> – Walid el Houri interviews the legal scholar Khalil Dewan on how the Israeli government is bending international law to justify AI-powered targeting and biometric control in a new era of algorithmic warfare.<strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">&nbsp;&nbsp;</span></strong></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://electronicintifada.net/content/survivors-give-me-strength/50763" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Survivors Give Me Strength</span></strong></a> – Sara Awad profiles people undergoing rehabilitation and physical therapy in Gaza’s besieged healthcare system.<strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">&nbsp;</span></strong></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://newlinesmag.com/review/gaza-and-the-undoing-of-zionism/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Gaza and the Undoing of Zionism</span></strong></a> – Yakov M. Rabkin reviews several recent books on the political horizons of Zionism in light of Israel’s genocide in Gaza, ultimately foreseeing, with Avi Shlaim, “an imminent end to the genocidal Zionist regime.”</p>
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