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            Check out the live recording of the PalFest Podcast, featuring a conversation between Tareq Baconi and Ta-Nehisi Coates.   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏
        
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      <h4 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:1.5em;mso-line-height-alt:1.5em;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:.02em;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">From the PalFest Podcast:</span></strong></h4>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>Tareq Baconi and Ta-Nehisi Coates on </strong><em><strong>Fire in Every Direction</strong></em></h3>
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  <a href="https://youtu.be/eYW0Iy5jUcw" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/ae16425d-0bc8-4304-8a84-b35b44c89925/JoshPacheco_25.10.25+Pal+Fest88.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">In this <a href="https://youtu.be/eYW0Iy5jUcw" rel="nofollow" style="color:#cd1417 !important;">special live recording</a> of <strong>The PalFest Podcast</strong> direct from Middle Church NYC, we bring you the launch of <em><strong>Fire in Every Direction: A Memoir</strong></em>, Tareq Baconi’s singular coming-of-age story about queer and political awakening from within the Palestinian diaspora. Baconi was joined by Ta-Nehisi Coates in a conversation about personal and political memoir.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">You can watch the whole conversation <a href="https://youtu.be/eYW0Iy5jUcw" rel="nofollow" style="color:#cd1417 !important;">on our Youtube channel</a>, and you can listen to the podcast on <a href="https://podcasts.apple.com/us/podcast/the-palfest-podcast/id1844820692" rel="nofollow" style="color:#cd1417 !important;">Apple Podcasts</a>, <a href="https://www.patreon.com/cw/palfest" rel="nofollow" style="color:#cd1417 !important;">Patreon</a> and everywhere else podcasts live.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Get your own copy of <em><strong>Fire in Every Direction</strong></em> <a href="https://bookshop.org/p/books/fire-in-every-direction-a-memoir-tareq-baconi/610cd7b6b3196744?ean=9781668068564&amp;next=t&amp;next=t&amp;affiliate=16160" target="_blank" rel="nofollow noopener noreferrer" style="color:#cd1417 !important;">here</a> (US) or pre-order it <a href="https://uk.bookshop.org/p/books/fire-in-every-direction-a-memoir-tareq-baconi/b57f6ddc53c22238?ean=9781399739627&amp;next=t" target="_blank" rel="nofollow noopener noreferrer" style="color:#cd1417 !important;">here</a> (UK).</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.palfest.org/podcast" rel="nofollow" style="color:#cd1417 !important;">Find out more about the PalFest Podcast, and look out for past (and future!) episodes, on our website.</a></p>
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      <p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:24px;" class="">Join <strong>Publishers for Palestine</strong> for this year’s <em><a href="https://publishersforpalestine.org/2025/11/11/join-read-palestine-week-2025/" rel="nofollow" style="color:#cd1417 !important;"><strong>READ PALESTINE WEEK</strong></a></em>, seven days when&nbsp;people around the world read&nbsp;– publicly and in community – as part of the global resistance to the genocide of the Palestinian people. To this end, publishers, librarians, &amp; booksellers will share free reads, host events, and recommend books.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:24px;" class="">This year, Publishers for Palestine will have a particular focus on raising funds to support Palestinian writers in Gaza.&nbsp;As in past years, <em><strong>Read Palestine Week</strong></em> will also include free books and events.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Visit <em><a href="https://publishersforpalestine.org/2025/11/11/join-read-palestine-week-2025/" rel="nofollow" style="color:#cd1417 !important;"><strong>Publishers for Palestine</strong></a></em> to find out more about <em><strong>READ PALESTINE WEEK</strong></em>, including for virtual and in-person events, readings, free books and zines, and more.</p>
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  <a href="https://oto.museum" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/b603b667-7657-48c3-b311-5c225bf16adc/unnamed+%281%29.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">In 2025 OTO Sound Museum and Dar Jacir for Art and Research partnered together to establish <strong>the first Palestinian art prize dedicated to sound and listening.</strong> The 2025 prize was awarded to <a href="https://oto.museum" rel="nofollow" style="color:#cd1417 !important;"><strong>Dahaleez Collective</strong></a><strong>,</strong> a Gaza-based research art collective whose work sits at the intersection of sound, narrative, and political memory. <a href="https://oto.museum" rel="nofollow" style="color:#cd1417 !important;"><strong>Dahaleez</strong></a> is a multifaceted sonic-arts archive, collecting field recordings,&nbsp;oral testimonies,&nbsp;and historical material to counter erasure, evoke memory, and open futures. Rooted in Gaza yet resonating globally, Dahaleez create spaces of listening that amplify collective experience.<br><br>For the OTO Award x Dar Jacir for Art and Research, <strong>Dahaleez</strong> produced a new sound piece entitled&nbsp;<em><a href="https://oto.museum" rel="nofollow" style="color:#cd1417 !important;"><strong>From-To</strong></a><strong>&nbsp;</strong></em>which testifies and reimagines one of Gaza City’s most vital arteries, Al-Rashid Street. Intertwining past, present, and future in a multidimensional sonic narrative, the piece&nbsp;weaves together&nbsp;sonic fragments, voices, and orchestral compositions to reconstruct the collective memory of the street.&nbsp;The piece draws on sonic matter and reflections gathered during workshops held by <strong>Dahaleez Collective</strong> in 2024-2025, where artists and cultural workers discussed the meaning and memory of the street. Original sounds from personal archives were woven together with music and symbolic sonic gestures to evoke layers of history and lived experience. At its core, the composition includes a musical piece by Mahmoud Abuwarda, originally written during the 11-day war in 2021 and later produced in 2025 with Lisbon Symphonic Orchestra.&nbsp;<em><a href="https://oto.museum" rel="nofollow" style="color:#cd1417 !important;"><strong>From–To</strong></a></em>&nbsp;becomes an auditory journey, an archive of place and time resonating between what was, what is, and what might be.<br><br>The work, conceived as a corridor through time, is accompanied by a bilingual booklet in English and Arabic, guiding listeners through the voices and narratives entwined into the piece. <a href="https://oto.museum" rel="nofollow" style="color:#cd1417 !important;">You can listen to it virtually now.</a></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>SAVE THE DATE&nbsp; - BETHLEHEM PREMIERE ON DECEMBER 3</strong></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><strong>From–To</strong></em>&nbsp;will will be&nbsp;exhibited at at Dar Jacir for Art and Research&nbsp;in Bethlehem on December 3rd - presented by part of the jury Nicolas Jaar, Dirar Kalash and Emily Jacir.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Find out more about the premiere from <a href="https://www.instagram.com/darjacir/" rel="nofollow" style="color:#cd1417 !important;">Dar Jacir</a>. And, if you’re not in Bethlehem, be sure to <a href="https://oto.museum" rel="nofollow" style="color:#cd1417 !important;">give the piece a listen</a>.</p>
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  <a href="https://lselaw.events/event/race-and-the-question-of-palestine/" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/03af89f7-117a-4bfa-8e53-fd8b959d297c/Conor-Gearty-banner-5.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">What role does the issue of race play in understanding the question of Palestine? Drawing on a book of that title edited by the main speaker <strong>Lana Tatour</strong> (with Ronit Lentin), <a href="https://lselaw.events/event/race-and-the-question-of-palestine/" rel="nofollow" style="color:#cd1417 !important;">this event at LSE</a> focuses on the colonisation of Palestine as something which – like other imperial and colonial projects – cannot be understood outside the grammar of race. </p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Race is the great unspoken in the field, yet it operates as a technology of power and colonial rule, a political and economic structure, and above all as set of legal and discursive practices. The law’s coercive power in Palestine draws its strength from, and is made sense of by, an understanding of the operation of race.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Lana Tatour will be in conversation with <strong>Neve Gordon</strong>, <strong>Ayça Çubukçu</strong>, and <strong>Ralph Wilde</strong>. <a href="https://lselaw.events/event/race-and-the-question-of-palestine/" rel="nofollow" style="color:#cd1417 !important;">The event is free but prior registration is required.</a></p>
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  <a href="https://btlbooks.com/book/palestine-and-feminist-liberation" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/81246ad3-6b80-47cc-9970-bf428ee6608d/Nada+Elia+BOTW+copy.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <blockquote style="padding-left:20px;padding-right:20px;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://btlbooks.com/book/palestine-and-feminist-liberation" rel="nofollow" style="color:#cd1417 !important;"><strong>Palestine and Feminist Liberation</strong></a> is a gorgeous and incisive vision for liberation grounded in care of our shared planet, Indigenous feminisms, and the centring of community over the individual. This is essential reading for our present moment and for feminists, scholars, students, and organizers concerned with the liberation of Palestine and a future outside of settler-colonial conquest.</em></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">–Leanne Betasamosake Simpson</p></blockquote><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">How can we explain that Israel, despite its genocidal attacks in Gaza and its violation of international law, remains immune to criticism? Why do many feminists in the Global North, so quick to denounce the impact of "Islamic fundamentalism" on Palestinian women, remain silent when it comes to decrying the gendered impact of Israeli apartheid in Palestine?</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">In <em><a href="https://btlbooks.com/book/palestine-and-feminist-liberation" rel="nofollow" style="color:#cd1417 !important;"><strong>Palestine and Feminist Liberation</strong></a></em>, Palestinian scholar-activist Nada Elia argues that Palestinian women, far from being powerless and submissive, have long played an important role in resisting their people’s dispossession, first by the British Mandate, then by Israel. Elia discusses the challenges diaspora Palestinian feminists face when organizing on Turtle Island, where the dominant discourse has long upheld the Zionist narrative, steeped in Orientalism and anti-Palestinian racism. She articulates a vision for liberation grounded in Indigenous feminism, with its focus on collective empowerment, rather than individual advancement.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><strong>Palestine and Feminist Liberation</strong></em> is <a href="https://btlbooks.com/book/palestine-and-feminist-liberation" rel="nofollow" style="color:#cd1417 !important;">out now from Between the Lines Books</a>.</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>Media Roundup</strong></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://alrifaq.substack.com/p/the-world-then-and-now" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The World Then and Now</span></strong></a> – Dr. Ghassan Abu Sitta offers a prognosis of the social, political, and economic transformations that the world has undergone over the past two years, revealing Arab collaborationism, the imperial dimensions of Israel’s genocide in Gaza, the force of capitalism, and the shortcomings of the global Palestine solidarity movement.&nbsp;</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.parapraxismagazine.com/articles/outside-in" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Outside In</span></strong></a> – Nick Malherbe and Shahnaaz Suffla consider Zionism's inside/outside border-making project from the perspective of South Africa, arguing that it has reinvigorated social movements in South Africa with an internationalist ethos, heightening local contradictions in ways that run parallel to other nodes of global anti-Zionist struggle.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://doi.org/10.1215/01642472-11792962" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The Deluge: Gaza's Tunnels and the Esoteric Path</span></strong></a> – Lama Suleiman considers the metaphorical and literal significance of Gaza's tunnels through conceptions of being, knowledge, freedom, martyrdom, and disappearance, contemplating the tunnel as an epistemology through its relationship to the state, the law, and what may lie beyond.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://overland.org.au/2025/11/to-fight-against-the-annihilation-of-though-an-introduction-to-of-weapons-and-words/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">To Fight Against the Annihilation of Thought: An Introduction to </span></strong></a><em><a href="https://overland.org.au/2025/11/to-fight-against-the-annihilation-of-though-an-introduction-to-of-weapons-and-words/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Of Weapons and Word</span></strong></a></em><a href="https://overland.org.au/2025/11/to-fight-against-the-annihilation-of-though-an-introduction-to-of-weapons-and-words/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">s</span></strong></a> – Faisal Al-Asaad writes, in the introduction to the new volume <em>Of Weapons and Words</em>, of the need to engage with and translate knowledge from and by Palestinian writers that is adequate to the scale and urgency of the genocide in Gaza and the ongoing Nakba of Palestine.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://al-shabaka.org/policy-memos/trumps-unsc-resolution-2803-repackaged-colonial-rule/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Trump’s UNSC Resolution 2803: Repackaged Colonial Rule</span></strong></a> – Yara Hawari describes how the newly-passed UN Security Council plan for Gaza relieves Israel of any responsibilities for its genocide in Gaza and revitalizes American imperial power in the Middle East.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://mondoweiss.net/2025/11/the-un-embraces-colonialism-unpacking-the-security-councils-mandate-for-the-u-s-colonial-administration-of-gaza/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The UN Embraces Colonialism: Unpacking the Security Council’s Mandate for the U.S. Colonial Administration of Gaza</span></strong></a> – On the new UN Security Council Plan, Craig Mokhiber writes that “the UN Security Council has granted a veto over Palestinian self-determination to the U.S., the Israeli regime’s chief sponsor and co-perpetrator of the genocide.”</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://jewishcurrents.org/the-life-and-legacy-of-sion-assidon" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The Life and Legacy of Sion Assidon</span></strong></a> – Driss Ksikes, Khalid Lyamlahy, Arthur Asseraf, and Michèle Sibony eulogize Sion Assidon, a Moroccan Jewish leftist for whom Palestine was a lodestar and who considered Morocco’s decolonization to be inextricable from the liberation of Palestine. Translations by Omar Berrada.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://electronicintifada.net/content/trapped-yellow/51071" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Trapped by Yellow</span></strong></a> – Malak Hijazi writes about how the so-called yellow line marking the boundary of Israel’s military withdrawal in Gaza has fluctuated and changed, leaving Palestinians subject to the whims of soldiers who may kill anyone they deem to have crossed the line.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.thenation.com/article/world/uk-media-gaza-genocide/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">How the UK Media Became Complicit in the Gaza Genocide</span></strong></a> – Evan Robins interviews Peter Oborne about the revisionist history of the BBC’s Gaza coverage and the British media’s role in the UK’s support for genocide.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://jacobin.com/2025/11/gaza-trump-israel-plan-capital" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">First Raze Gaza, Then Build a Playground for Global Capital</span></strong></a> – Abe Asher examines inchoate plans, such as Trump’s widely-derided “Gaza Riviera,” to use Gulf money to develop Gaza and to incorporate it into a hierarchized global economy under the aegis of Western technocrats.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.equator.org/articles/pity-and-fear" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Pity and Fear</span></strong></a> – Hisham Matar situates a reading of a particular image of Israeli war crimes against the grain of the Western art canon to consider the steadfastness of Palestinian life in the face of Israel’s deepening violence: “What is clear is that Israel has lost much more than can ever be compensated by theft and murder, and notwithstanding this, or perhaps exactly because of it, the fanatical temptation for it to engage in more theft and murder has never been more irresistible.” </p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.dropsitenews.com/p/hamas-palestinian-gaza-plan-trump-netanyahu-israel-ceasefire" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Weapons of Willpower: Hamas and Islamic Jihad on Trump's Gaza Plan</span></strong></a> – Jeremy Scahill and Jawa Ahmad report on how two of the leading factions of the Palestinian resistance in Gaza assess the state of the so-called “ceasefire” and the UN Security Council’s resolution over Gaza, which will retrench Israeli-American dominance over Gaza.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.versobooks.com/blogs/news/the-death-that-keeps-on-going" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The Death that Keeps on Going</span></strong></a> – Kate Greenberg reports from Umm al-Khair, a village in the West Bank facing impending demolition by the Israeli government, where an Israeli settler shot and killed the prominent activist Awdah Hathaleen.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://socialtextjournal.org/periscope_article/future-is-a-weapon/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Future is a Weapon</span></strong></a> – In this hybrid essay, Devin George Atallah theorizes “infrastructures of healing and desire [that] are already present in the liberated future where Palestinians have already won.”</p>
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