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            For the first time in the United Kingdom: Tamim al-Barghouti will present his re-writing of the Epic of Gilgamesh in Arabic verse.   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏
        
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>OXFORD: Tamim al-Bargouthi’s </strong><em><strong>Gilgamesh, The Epic</strong></em><strong>, 19 November</strong></h3>
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      <p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-bottom:1.5em;" class="">For the first time in the United Kingdom: Tamim al-Barghouti will present his re-writing of the <em>Epic of Gilgamesh </em>in Arabic verse.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-bottom:1.5em;" class="">In the face of the deluge of mass death in Palestine, and stemming from his own personal loss, the “Poet of Jerusalem”, Tamim al-Barghouti, presents his rewriting of the Babylonian <em>Epic of Gilgamesh</em> in Arabic verse.</p>
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      <p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-bottom:1.5em;" class="">Tamim Al-Barghouti is one of the Arab world’s most renowned poets, his poems read and viewed by hundreds of millions across the region, recited by people rising up in the streets of Cairo in 2011 to those resisting  the latest onslaught on Gaza.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em>The Epic of Gilgamesh</em> is the oldest poem known to man, the oldest piece of secular literature, and “a manifesto of rebellion against the gods”.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-bottom:0px;" class="">Join us in Oxford for this unmissable premiere, a single performance of an ancient epic, which will be followed by a Q&amp;A with the poet.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;height:1.618em;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-bottom:0px;" class=""></p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-bottom:0px;" class="">The performance will be in Arabic, the discussion afterwards in both Arabic and English.</p>
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      <p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:10px;" class="">The Philosophy Department at the University of Pennsylvania welcomes Tareq Baconi for a <a href="https://philosophy.sas.upenn.edu/events/fire-every-direction-conversation-tareq-baconi-and-noura-erakat" rel="nofollow" style="color:#cd1417 !important;">book talk and public conversation</a> with Noura Erakat on his forthcoming book&nbsp;<em><strong>Fire in Every Direction</strong></em>. The event will take place between November 10-14 and center on Baconi’s urgent memoir. Erakat, a human rights attorney and scholar of international law, will serve as respondent and interlocutor in a moderated conversation followed by audience Q&amp;A.</p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:10px;" class="">Baconi explores what it means to be queer living through inherited histories of migration, diaspora, and exile—offering readers a meditation on identity, belonging, and loss across generational time. As a queer Arab thinker raised between cultures and trained as a scholar of the Middle East, Baconi’s voice is a rare and necessary one. With a literary sensibility and a deep sense of historical responsibility, Baconi charts how grief, love, and moral clarity can survive in the face of long-standing conflict and dispossession. </p><p style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;margin-top:0px;margin-bottom:10px;" class="">The conversation will offer students and the broader Philadelphia community the opportunity to engage with a leading voice, and it will bring together interdisciplinary scholars and community members in thinking about ways to collectively move forward and heal in the face of enduring conflict.&nbsp;</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://philosophy.sas.upenn.edu/events/fire-every-direction-conversation-tareq-baconi-and-noura-erakat" rel="nofollow" style="color:#cd1417 !important;">Find out more about the event and register here.</a></p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>LONDON: Meet the shortlisted authors of the Palestine Book Awards, 13 November</strong></h3>
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  <a href="https://palestinebookawards.com/news/item/meet-the-shortlisted-authors-of-palestine-book-awards-2025" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/2faf78aa-ab4f-44c7-9618-cbe3f8e20240/2016-palestine-book-awards-generic-image-3_fc1bc2fbb5c296611c9068b09e26647f.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;line-height:24px;margin-top:0px;margin-bottom:25px;" class="">Join the Palestine Book Awards for an evening of celebration with the <a href="https://palestinebookawards.com/news/item/announcing-the-shortlist-for-the-2025-palestine-book-awards" target="_blank" rel="nofollow noopener noreferrer" style="color:#cd1417 !important;">shortlisted authors</a> for this year’s awards. </p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;line-height:24px;margin-top:0px;margin-bottom:25px;" class="">Author and journalist Victoria Brittain will host the event, with attendance by the following authors, translators and editors:&nbsp;<strong>Azza El Hassan</strong>, <strong>Dr. Dina Matar</strong>, <strong>Hazem Jamjoum</strong>, <strong>Louis Brehony</strong>, <strong>Matthew Teller</strong>, <strong>Nada Tarbush</strong> on behalf of the late <strong>Mohammad Tarbush</strong>, <strong>Omar El Akkad</strong>, <strong>Pankaj Mishra</strong>, <strong>Prof. Tahrir Hamdi</strong>, <strong>Sarah Aziza</strong> and <strong>Yousef Aljamal</strong>.<br><br>The event will be held on&nbsp;<strong>Thursday, 13th&nbsp;November 2025</strong>&nbsp;at&nbsp;<strong>6.30pm&nbsp;</strong>in<strong>&nbsp;P21 Gallery, London, NW1 1JD.</strong></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://palestinebookawards.com/news/item/meet-the-shortlisted-authors-of-palestine-book-awards-2025" rel="nofollow" style="color:#cd1417 !important;">Reserve your free ticket here.</a></p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>London Palestine Film Festival</strong> returns Nov 14th-28th with a powerful line-up of UK premieres and essential documentaries offering rich insights into Palestinian life, culture, and resistance. LPFF 2025 shines a spotlight on urgent and compelling narratives from Gaza and beyond.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Opening the programme is<em>&nbsp;<a href="https://www.barbican.org.uk/whats-on/2025/event/lpff-2025-opening-night-the-voice-of-hind-rajab" rel="nofollow" style="color:#cd1417 !important;">The Voice of Hind Rajab</a></em>, the urgent and harrowing work by Oscar–nominated<strong> Kaouther Ben Hania </strong>who blends real recordings with scripted scenes to tell the devastating true story of 6-year-old Hind Rajab, trapped in a car under fire, and the first responders who tried to save her.&nbsp;</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">The festival also presents the UK Premiere of&nbsp;<em><a href="https://www.barbican.org.uk/whats-on/2025/event/lpff-2025-once-upon-a-time-in-gaza" rel="nofollow" style="color:#cd1417 !important;">Once Upon a Time in Gaza</a></em>: this hard-edged drama is the latest fiction from Gaza-born film-making brothers <strong>Arab and Tarzan Nasser.</strong> <strong>Leila Abbas</strong>’ debut feature,&nbsp;<em><a href="https://www.barbican.org.uk/whats-on/2025/event/lpff-2025-thank-you-for-banking-with-us" rel="nofollow" style="color:#cd1417 !important;">Thank You for Banking with Us!</a></em> draws a sharp and darkly comic portrait of sisterhood, survival and resistance against patriarchal norms. The programme concludes with&nbsp;<em><a href="https://www.barbican.org.uk/whats-on/2025/event/lpff-2025-passing-dreams" rel="nofollow" style="color:#cd1417 !important;">Passing Dreams</a></em> where<strong> Rashid Masharawi </strong>chooses hope over despair, sketching a tender portrait of youth navigating loss, displacement and memory.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.palestinefilm.org.uk" rel="nofollow" style="color:#cd1417 !important;">Find out more and reserve your tickets here.</a></p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>The secret life of a Palestinian Communist activist during the leadup to World War II.</strong></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">In the public eye, Najati Sidqi was known as a journalist and writer, a translator of Russian classics, and an outspoken opponent of Nazism. However, Sidqi concealed a critical component of his life from the world and his family. He was an underground activist for the Palestinian Communist Party, a risky and influential pursuitthat took him to early Bolshevik Moscow, British courts and prison cells in Palestine, Nazi Germany, intrigue-heavy interwar Paris, and Civil War Spain, Morocco, and Algeria. Throughout his journey, Sidqi continued to write, even as he faced fascism, intense surveillance, active warzones, the death of friends, and exile.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://bookshop.org/a/16160/9781477333228" rel="nofollow" style="color:#cd1417 !important;"><strong>Memoirs of a Palestinian Communist</strong></a></em> brings Sidqi’s incredible life and work to light, wryly narrating his international travels, his work as an activist, and his political dealings at a crucial moment for Palestine and the international fight against fascism. Translated from Arabic into English for the first time by Anas Farhan, Gideon Gordon, and Margaret Litvin, it is a riveting firsthand account of an often-overlooked aspect of the history of the global left. The edition includes a preface by Sidqi’s grandson, a foreword by renowned historian Joel Beinin, a translators’ introduction that presents new research on Sidqi’s family history, a map of his travels, and a timeline, as well as a bibliographic essay offering pointers for further research.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><strong>Memoirs of a Palestinian Communist</strong></em> publishes tomorrow. Get your copy in our Bookshop (<a href="https://bookshop.org/a/16160/9781477333228" rel="nofollow" style="color:#cd1417 !important;">US</a> / <a href="https://uk.bookshop.org/p/books/memoirs-of-a-palestinian-communist-the-secret-life-of-najiti-sidqi-najati-sidqi/73d0ab141c1e2ae9?aid=872%3Fean%3D9781477333228&amp;next=t" rel="nofollow" style="color:#cd1417 !important;">UK</a>).</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>Media Roundup</strong></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://ibraaz.org/ibraaz-publishing/read/the-house" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The House</span></strong></a> – Hanan Habashi writes a eulogy for her house in Gaza, destroyed by Israel, and considers the genocide at the same time as a domicide: “Do our houses know a ritual for dying? Do they lock their ribs against the blast or kneel and cover our memories with their bodies? Do they cast our stories upwards like prayers, or do they wrap them close as they fall down?”&nbsp;</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://mondoweiss.net/2025/10/israel-seeks-redemption-in-the-gaza-ruins/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Israel Seeks Redemption in the Gaza Ruins</span></strong></a> – Abdaljawad Omar describes Israel’s struggle to name its genocide in Gaza as symptomatic of how October 7 and its aftermath “has revealed the full extent of Israel’s capacity to destroy — sustained by the indulgence of its allies and amplified to the point of grotesque excess — but has also clarified its limits.”</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.aljazeera.com/opinions/2025/10/25/we-survived-the-war-we-may-not-survive-the-ceasefire" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">We Survived the War, We May Not Survive the Ceasefire</span></strong></a> – Sara Awad describes how the people of Gaza remain at the mercy of the Israeli occupation, which has proven that it will violate the ceasefire at random in order to continue its genocide.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://ibraaz.org/ibraaz-publishing/read/thinking-with-water-in-palestine" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Thinking with Water in Palestine</span></strong></a> – Elisa Adami considers the politics of water in Palestine against the grain of Israel’s ecocidal violence to suggest how water’s “slow movement and regenerative cycles” across borders and underground interrupts the logics of colonialism and racial capitalism in Palestine.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://infinitejaz.substack.com/p/a-lynch-mob-in-the-olive-fieldsand" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">A Lynch Mob in the Olive Fields—and the State Behind It</span></strong></a> – Jasper Nathaniel offers an account of three weeks he spent in the Palestinian village of Turmus’ayya in the West Bank, documenting the escalating settler violence against villagers during the olive harvest along with the complicity of the IDF and the US Embassy.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://themarkaz.org/interview-annemarie-jacir-on-palestine-36/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Interview: Annemarie Jacir on </span></strong></a><em><a href="https://themarkaz.org/interview-annemarie-jacir-on-palestine-36/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Palestine 36</span></strong></a></em> – Hadani Ditmars interviews Annemarie Jacir about her new film, <em>Palestine 36</em>, which portrays the Palestinian uprising against British colonial rule and its collusion with the growing Zionist movement in Palestine. </p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.newarab.com/analysis/weapons-warlords-and-wasteland-israels-new-strategy-gaza" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Weapons, Warlords, and Wasteland: Israel's Strategy for Post-War Gaza</span></strong></a> – Muhammad Shehada examines how Israel has been cultivating anti-Hamas gang militias across the Gaza strip in order to sow discord and instability.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.madamasr.com/en/2025/10/27/feature/politics/resistance-will-persist-qa-with-hamas-leader-mohamed-nazzal/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">‘Resistance Will Persist’: Q&amp;A With Hamas Leader Mohamed Nazzal</span></strong></a> – Mostafa Hosny interviews Mohamed Nazzal, a member of Hamas’ political bureau, to discuss what has transpired since the putative ceasefire and what comes next for Gaza and Palestine writ large.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.middleeasteye.net/opinion/israel-devours-west-bank-abbas-busy-rearranging-chairs-titanic" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">As Israel Devours the West Bank, Abbas Clings on to a Sinking PA</span></strong></a> – David Hearst writes about how Mahmoud Abbas and the Palestinian Authority have capitulated to the prospect of formal Israeli annexation of the West Bank, threatening to drag down Fatah and every other Palestinian institution with him.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://arablit.org/2025/10/28/llegir-palestina-making-a-space-to-read-about-palestine/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">‘Llegir Palestina’: Making a Space to Read About Palestine</span></strong></a> – ArabLit speaks to Danae Fonseca and Dana Dhailieh about a Palestine-centric book club that has taken off in the library system of Catalunya, offering models for creating similar book clubs elsewhere in the world.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://jacobin.com/2025/10/western-media-gaza-palestine-genocide" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Plestia Alaqad: Western Media Language Is Enabling Genocide</span></strong></a> – Elias Feroz interviews the Gazan journalist Plestia Alaqad about the refusal of mainstream media institutions in the west to call the genocide for what it is.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://electronicintifada.net/content/rubble-rebirth/51033" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">From Rubble to Rebirth</span></strong></a> – Islam Elhabil considers the sheer amount of debris and rubble in Gaza, more than Mosul and Haiti combined, before highlighting efforts at recycling and reconstruction that allow for the rubble to be repurposed.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.dropsitenews.com/p/israeli-airstrikes-ceasefire-violation-gaza-aftermath" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">The Aftermath of a Massive Wave of Israeli Airstrikes that Killed Over 100 Palestinians</span></strong></a> – Abdel Qader Sabbah and Sharif Abdel Kouddous report on the Israeli bombardment of Nuseirat refugee camp last week, in flagrant violation of the terms of the ceasefire, and the rituals of mourning that followed at Al-Awda Hospital.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://tribunemag.co.uk/2025/10/pensions-for-palestine" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Pensions for Palestine</span></strong></a> – Lewis Backon writes about the Local Government Pension Scheme in the UK, which invests more than £12 billion in companies complicit in Israel’s genocide, occupation, and apartheid regime, as a leading boycott target for Palestine solidarity campaigners across the UK.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://arablit.org/2025/10/29/gaza-the-game-the-elephant-swallows-every-time/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Gaza, the Game the Elephant Swallows Every Time</span></strong></a> – Husam Maarouf shares some poetic observations on his return to Deir al-Balah: “Gaza ebbs and flows like the tide—changing nothing but the shape of the ruin. / Every return hurts. Each farewell kills.”</p>
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