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            You can now watch the two bracing conversations we convened with Ta-Nehisi Coates this past Sunday.͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;͏‌&nbsp;
        
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>New Video from </strong><em><strong>America and the War on Palestine</strong></em></h3>
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  <a href="https://youtu.be/NDmF9pI8f-g" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/6edf472d-69e0-470d-a76d-4c969f4479f3/thumbnail+TNC+riverside+copy.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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    <td valign="top" class="section-text-area section-content-cell padding-mobile-both" style="padding-top:8px;padding-right:66px;padding-bottom:18px;padding-left:66px;color:#313131;background-color:transparent;">
      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">It was a full house this past Sunday for our latest event, <em><strong>America and the War on Palestine</strong></em>, at Riverside Church in New York, where we convened <a href="https://youtu.be/NDmF9pI8f-g" rel="nofollow" style="color:#cd1417 !important;">two bracing conversations</a> moderated by <strong>Ta-Nehisi Coates</strong>.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">The first conversation, featuring <strong>Noura Erakat</strong> and <strong>Keeanga Yamahtta-Taylor</strong>, delved into the global nature of American empire, racecraft, and the increasingly central role of the United States in the Israeli dispossession of Palestine from the Nakba to the present.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">The second, featuring <strong>Rabea Eghbariah</strong>, <strong>Farah Barqawi</strong>, <strong>Sahar Qawasmi</strong>, and <strong>Nida Sinnokrot</strong>, examined the colonial fragmentation of Palestine and the creative modes of resilience through which Palestinians hold fast to culture, life, and land.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://youtu.be/NDmF9pI8f-g" rel="nofollow" style="color:#cd1417 !important;">Both conversations are now available in full on our Youtube channel.</a></p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>Mirza Waheed on the Solidarity Work of Boycott</strong></h3>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">The Kashmiri-British novelist <strong>Mirza Waheed</strong>, who participated in the Palestine Festival of Literature in May 2023, <a href="https://lithub.com/theyre-screening-an-adaptation-of-my-novel-in-an-israeli-settlement-so-im-boycotting-it/" rel="nofollow" style="color:#cd1417 !important;">recently learned</a> that the film adaptation of his novel <em>The Collaborator</em> is slated for exhibition at a film festival in an illegal Israeli settlement in the West Bank.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">An initiating signatory to <a href="https://lithub.com/hundreds-of-authors-pledge-to-boycott-israeli-cultural-institutions/" rel="nofollow" style="color:#cd1417 !important;">the recent letter</a> signed by nearly 7000 writers and book workers who refuse to work with Israeli publishers complicit in apartheid and genocide, Waheed states that he cannot allow his work “to whitewash Israeli apartheid and undermine Palestinian rights.”</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Describing his participation in these boycotts, Waheed writes: “Boycotts are meant to declare, in word and in deed, that one will not cooperate with systems of oppression and cruelty. They are solidarity put into practice, words of support actualised, operationalized.” </p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">You can read the full story at <a href="https://lithub.com/theyre-screening-an-adaptation-of-my-novel-in-an-israeli-settlement-so-im-boycotting-it/" rel="nofollow" style="color:#cd1417 !important;">Lithub</a>, and you can hear Mirza Waheed’s harrowing firsthand account of the landscape of Israeli occupation in <a href="https://youtu.be/YEV9dq0G4aI" rel="nofollow" style="color:#cd1417 !important;">this video</a> from an event we convened in London this past July.</p>
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  <a href="https://www.instagram.com/tarwidapodcast/" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/28a0aa73-ddbe-4a16-b582-5779b592d896/1200x1200bf.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">A new podcast called <em><strong>Tarwida</strong></em> launched last month. The podcast takes its name from a genre of lullaby long used by Palestinian women to sing encrypted messages to political prisoners.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Hosted by <strong>Afaf Shawwa Bibi</strong>, the podcast promises a series of biweekly conversations with Palestinian artists to celebrate and archive Palestinian culture and heritage and to transmit Palestinian narratives to the world. So far, the show has featured conversations with the writer <strong>Susan Abulhawa</strong> and the filmmaker <strong>Farah Nabulsi</strong>.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">You can find them on <a href="https://www.instagram.com/tarwidapodcast/" rel="nofollow" style="color:#cd1417 !important;">Instagram</a> and subscribe on <a href="https://podcasts.apple.com/jo/podcast/tarwida/id1768840977" rel="nofollow" style="color:#cd1417 !important;">Apple Podcasts</a> or <a href="https://open.spotify.com/show/72VjhzqST2wrjR6jtPRVa3" rel="nofollow" style="color:#cd1417 !important;">Spotify</a>.</p>
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  <a href="https://orbooks.com/catalog/if-i-must-die/" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/7d9cce3a-91fd-4153-9177-d89440269824/refaat+for+newsletter.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="Book cover for Refaat Alareer's If I Must Die" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <blockquote style="padding-left:20px;padding-right:20px;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em>More than an expansive obituary, [this book] is a reminder and celebration of what Israel has not been able to destroy: a Palestinian voice that remains independent, defiant, and human.</em>&nbsp;</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Farah Abdessamad</p></blockquote><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">The renowned poet and literature professor <strong>Refaat&nbsp;Alareer</strong> was killed by an Israeli airstrike in Gaza City alongside his brother, sister, and nephews in December 2023. He was just forty-four years old, but had already established a worldwide reputation that was further enhanced when, in the wake of his death, the poem that gives this book its title became a global sensation. “If I Must Die” is included here, alongside Refaat’s other poetry.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;line-height:25px;margin-top:0px;margin-bottom:10px;" class="">Refaat wrote extensively about a range of topics: teaching Shakespeare and the way Shylock could be appreciated by young Palestinian students; the horrors of living under repeated brutal assaults in Gaza, one of which, in 2014, killed another of his brothers; and the generosity of Palestinians to each other, fighting, in the face of it all, to be the one paying at the supermarket checkout.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;line-height:25px;margin-top:0px;margin-bottom:10px;" class="">Such pieces, some never before published, have been curated here by one of Refaat’s closest friends and collaborators. This collection forms a fitting testament to a remarkable writer, educator, and activist, one whose voice will not be silenced by death but will continue to assert the power of learning and humanism in the face of barbarity.</p><p style="color:inherit;font-size:1em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;line-height:25px;margin-top:0px;margin-bottom:10px;" class="">This collection is <a href="https://orbooks.com/catalog/if-i-must-die/" rel="nofollow" style="color:#cd1417 !important;">out now from OR Books</a>.</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>Reading Roundup</strong></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://arablit.org/2024/11/13/the-future-of-gaza-by-basman-eldirawi/" rel="nofollow" style="color:#cd1417 !important;"><strong>The Future of Gaza</strong></a></em> - A new poem from Gazan poet Basman Eldirawi about futures interrupted by unending explosions.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://www.jadaliyya.com/Details/46326/Of-Unfinished-Revolution-Call-and-Response-of-Palestine-and-Lebanon" rel="nofollow" style="color:#cd1417 !important;"><strong>Of Unfinished Revolution: Call and Response of Palestine and Lebanon</strong></a></em> - Jennifer Mogannam writes on the entangled histories of revolutionary movements in Palestine and Lebanon, arguing that the liberation of Lebanon is coterminous with the liberation of Palestine.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://mizna.org/mizna-online/foreword-25-1/" rel="nofollow" style="color:#cd1417 !important;"><strong>Toward an Apocalypse of Letters</strong></a></em> - George Abraham, executive editor of <em>Mizna</em>, writes on the abiding “literature of empire” and the corporatized, neocolonial literary landscape that depoliticizes writers and artists.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://mondoweiss.net/2024/11/liberal-guilt-and-palestine/" rel="nofollow" style="color:#cd1417 !important;"><strong>Liberal Guilt and Palestine</strong></a></em> - Abdaljawad Omar argues that the genocidal assault on Gaza exposes a more fundamental malaise to American liberalism that culminated in Trump’s electoral win.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://www.dropsitenews.com/p/gaza-hunger-israel-restricts-aid" rel="nofollow" style="color:#cd1417 !important;"><strong>As Infested Flour Becomes a Staple, State Dept “Still Assessing” Israel’s Aid Restrictions to Gaza</strong></a></em> - Abubaker Abed reports on the unimaginable scale of starvation in Gaza as the United States fails to follow through on its pledge to suspend arms transfers to Israel if they do not allow in more humanitarian aid.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://thebaffler.com/latest/you-had-to-be-there-hu" rel="nofollow" style="color:#cd1417 !important;"><strong>You Had to Be There</strong></a></em> - Zoë Hu examines the evolution of war reporting, to the point that the American press no longer reports from the frontlines but rather “has come to act like an informational referee—questioning, minimizing, or rationalizing what Palestinians choose to post and portray.”</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://mondoweiss.net/2024/11/photo-essay-the-silent-displacement-in-the-west-bank/" rel="nofollow" style="color:#cd1417 !important;"><strong>The Silent Displacement in the West Bank</strong></a></em> - In this photo essay, David Lombeida follows families who have been displaced to the South Hebron Hills and Jordan Valley by Israel’s escalating violence in the West Bank.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://www.palestine-studies.org/en/node/1656408" rel="nofollow" style="color:#cd1417 !important;"><strong>Israel's UNRWA Ban 'Amounts to Criminalization of Humanitarian Aid,' Amnesty International Says</strong></a></em> - Asma Barakat analyzes Israel’s recently-adopted ban of UNRWA and the impotence of international legal bodies to protect its work in Gaza, the West Bank, and across the region.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://al-shabaka.org/roundtables/trumps-return-implications-for-the-palestinian-struggle/" rel="nofollow" style="color:#cd1417 !important;"><strong>Trump’s Return: Implications for the Palestinian Struggle</strong></a></em> - In this roundtable, Tariq Kenney-Shawa, Hanna Alshaikh, Abdullah Al-Arian, and Andrew Kadi anticipate what a Trump presidency will mean for the genocide in Gaza, the broader Arab world, and the Palestine solidarity movement in the United States.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://www.protectjournalists.org" rel="nofollow" style="color:#cd1417 !important;"><strong>Israel Must Stop Killing Journalists</strong></a></em> - In this open letter, nearly a thousand journalists and media workers “call on newsrooms to advocate for the protection and safety of our Palestinian colleagues with the same fervor and tenacity as they have done for our colleagues reporting from Russia, Ukraine, and elsewhere in the world.” If you are a journalist or media worker, you can sign on <a href="https://docs.google.com/forms/d/e/1FAIpQLSftwF0f8bZpnZJtrMmpBeLOJet-lUqt_FZwUGYBZmTN86dniQ/viewform" rel="nofollow" style="color:#cd1417 !important;">here</a>.</p>
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