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            The Palestine Book Awards    ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏   ͏
        
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>The Palestine Book Awards Announces 2025 Longlist</strong></h3>
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  <a href="https://www.palestinebookawards.com/news/item/pba-2025-longlist-announced-in-a-landmark-year-for-palestinian-voices" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/17f8adac-046d-4b16-9da0-c95eacaf7969/palestine-book-awards-2022-web.jpg?content-type=image%2Fjpeg&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">The <a href="https://www.palestinebookawards.com/news/item/pba-2025-longlist-announced-in-a-landmark-year-for-palestinian-voices" rel="nofollow" style="color:#cd1417 !important;"><strong>Palestine Book Awards</strong></a> have announced the longlist for this year’s awards. This year marks a horrifying time for the people of Palestine — a year scarred by&nbsp;ongoing war and genocide. Yet, in the face of unimaginable suffering,&nbsp;Palestinian writers and scholars — alongside global voices in solidarity — continue to rise. Through literature, research, and storytelling, they affirm an enduring truth:&nbsp;we are here, and we are here to stay.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Established in 2012, the Palestine Book Awards honors the best new books in English about any aspect of Palestine. This year saw a&nbsp;record-breaking 80+ submissions, making 2025 the largest and most far-reaching year in the history of the Awards. The nominated works span&nbsp;fiction, memoir, poetry, academic research, and children’s literature&nbsp;— reflecting a deeply rooted, multifaceted commitment to the Palestinian cause across generations and disciplines.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">From groundbreaking academic studies to powerful narratives written for children, the longlisted books offer vital insight into Palestinian history, identity, struggle, and imagination. Whether addressing the Nakba, the&nbsp;present war and genocide, or future hopes for liberation, these titles contribute to a growing and urgent global conversation.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">This year’s longlist is as follows:</p>
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<table role="presentation" width="100%" cellpadding="0" cellspacing="0" border="0" bgcolor="transparent" class="text-section section-content">
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      <ul data-rte-list="default" style="padding-left:25px;"><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Abu Al-Hayyat, Maya</strong><br><em><a href="https://www.palestinebookawards.com/books/item/no-one-knows-their-blood-type" rel="nofollow" style="color:#cd1417 !important;">No One Knows Their Blood Type</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Abdulkarim, Lina M.</strong><br><em><a href="https://www.palestinebookawards.com/books/item/it-could-have-been-me" rel="nofollow" style="color:#cd1417 !important;">It Could Have Been Me</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Abourahme, Nasser</strong><br><em><a href="https://www.palestinebookawards.com/books/item/the-time-beneath-the-concrete-palestine-between-camp-and-colony?highlight=WyJjYW1wIiwiY29sb255IiwidGhlIiwidGltZSIsImJlbmVhdGgiLCJ0aGUiLCJjb25jcmV0ZSIsInBhbGVzdGluZSIsImJldHdlZW4iLCJ0aGUgdGltZSIsInRoZSB0aW1lIGJlbmVhdGgiLCJ0aW1lIGJlbmVhdGgiLCJ0aW1lIGJlbmVhdGggdGhlIiwiYmVuZWF0aCB0aGUiLCJiZW5lYXRoIHRoZSBjb25jcmV0ZSIsInRoZSBjb25jcmV0ZSIsInRoZSBjb25jcmV0ZSBwYWxlc3RpbmUiLCJjb25jcmV0ZSBwYWxlc3RpbmUiLCJjb25jcmV0ZSBwYWxlc3RpbmUgYmV0d2VlbiIsInBhbGVzdGluZSBiZXR3ZWVuIl0=" rel="nofollow" style="color:#cd1417 !important;">The Time Beneath the Concrete: Palestine Between Camp and Colony</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Abraham, George (Editor) and Hindi, Noor (Editor)</strong><br><em><a href="https://www.palestinebookawards.com/books/item/heaven-looks-like-us-palestinian-poetry" rel="nofollow" style="color:#cd1417 !important;">Heaven Looks Like Us: Palestinian Poetry</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Alareer, Refaat</strong><br><em><a href="https://www.palestinebookawards.com/books/item/if-i-must-die" rel="nofollow" style="color:#cd1417 !important;">If I Must Die</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Aziza, Sarah</strong><br><em><a href="https://www.palestinebookawards.com/books/item/the-hollow-half-a-memoir-of-bodies-and-borders?highlight=WyJ0aGUiLCJob2xsb3ciLCJoYWxmIiwidGhlIGhvbGxvdyIsInRoZSBob2xsb3cgaGFsZiIsImhvbGxvdyBoYWxmIl0=" rel="nofollow" style="color:#cd1417 !important;">The Hollow Half</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Brehony, Louis (Editor) and Hamdi, Tahrir (Editor)</strong><br><em><a href="https://www.palestinebookawards.com/books/item/ghassan-kanafani-selected-political-writings" rel="nofollow" style="color:#cd1417 !important;">Ghassan Kanafani: Selected Political Writings</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Dana, Karam</strong><br><em><a href="https://www.palestinebookawards.com/books/item/to-stand-with-palestine-transnational-resistance-and-political-evolution-in-the-united-states?highlight=WyJyZXNpc3RhbmNlIiwicG9saXRpY2FsIiwidG8iLCJzdGFuZCIsIndpdGgiLCJwYWxlc3RpbmUiLCJ0cmFuc25hdGlvbmFsIiwiZXZvbHV0aW9uIiwiaW4iLCJ0aGUiLCJ1bml0ZWQiLCJzdGF0ZXMiLCJ0byBzdGFuZCIsInRvIHN0YW5kIHdpdGgiLCJzdGFuZCB3aXRoIiwic3RhbmQgd2l0aCBwYWxlc3RpbmUiLCJ3aXRoIHBhbGVzdGluZSIsIndpdGggcGFsZXN0aW5lIHRyYW5zbmF0aW9uYWwiLCJwYWxlc3RpbmUgdHJhbnNuYXRpb25hbCIsImV2b2x1dGlvbiBpbiIsImV2b2x1dGlvbiBpbiB0aGUiLCJpbiB0aGUiLCJpbiB0aGUgdW5pdGVkIiwidGhlIHVuaXRlZCIsInRoZSB1bml0ZWQgc3RhdGVzIiwidW5pdGVkIHN0YXRlcyJd" rel="nofollow" style="color:#cd1417 !important;">To Stand with Palestine: Transnational Resistance and Political Evolution in the United States</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Ebeid, Rifk</strong><br><em><a href="https://www.palestinebookawards.com/books/item/kamal-s-key" rel="nofollow" style="color:#cd1417 !important;">Kamal’s Key</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>El Hassan, Azza</strong><br><em><a href="https://www.palestinebookawards.com/books/item/the-afterlife-of-palestinian-images-visual-remains-and-the-archive-of-disappearance?highlight=WyJ0aGUiLCJhZnRlcmxpZmUiLCJvZiIsInBhbGVzdGluaWFuIiwiaW1hZ2VzIiwidGhlIGFmdGVybGlmZSIsInRoZSBhZnRlcmxpZmUgb2YiLCJhZnRlcmxpZmUgb2YiLCJhZnRlcmxpZmUgb2YgcGFsZXN0aW5pYW4iLCJvZiBwYWxlc3RpbmlhbiIsIm9mIHBhbGVzdGluaWFuIGltYWdlcyIsInBhbGVzdGluaWFuIGltYWdlcyJd" rel="nofollow" style="color:#cd1417 !important;">The Afterlife of Palestinian Images</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>El-Kurd, Mohammed</strong><br><em><a href="https://www.palestinebookawards.com/books/item/perfect-victims-and-the-politics-of-appeal?highlight=WyJ2aWN0aW1zIiwidGhlIiwicGVyZmVjdCIsInBvbGl0aWNzIiwib2YiLCJhcHBlYWwiLCJwb2xpdGljcyBvZiIsInBvbGl0aWNzIG9mIGFwcGVhbCIsIm9mIGFwcGVhbCJd" rel="nofollow" style="color:#cd1417 !important;">Perfect Victims: And the Politics of Appeal</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>El Akkad, Omar</strong><br><em><a href="https://www.palestinebookawards.com/books/item/one-day-everyone-will-have-always-been-against-this?highlight=WyJvbmUiLCJkYXkiLCJldmVyeW9uZSIsIndpbGwiLCJoYXZlIiwiYWx3YXlzIiwiYmVlbiIsImFnYWluc3QiLCJ0aGlzIiwib25lIGRheSIsIm9uZSBkYXkgZXZlcnlvbmUiLCJkYXkgZXZlcnlvbmUiLCJkYXkgZXZlcnlvbmUgd2lsbCIsImV2ZXJ5b25lIHdpbGwiLCJldmVyeW9uZSB3aWxsIGhhdmUiLCJ3aWxsIGhhdmUiLCJ3aWxsIGhhdmUgYWx3YXlzIiwiaGF2ZSBhbHdheXMiLCJoYXZlIGFsd2F5cyBiZWVuIiwiYWx3YXlzIGJlZW4iLCJhbHdheXMgYmVlbiBhZ2FpbnN0IiwiYmVlbiBhZ2FpbnN0IiwiYmVlbiBhZ2FpbnN0IHRoaXMiLCJhZ2FpbnN0IHRoaXMiXQ==" rel="nofollow" style="color:#cd1417 !important;">One Day, Everyone Will Have Always Been Against This</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Matar, Dina (Editor) and Tawil-Souri, Helga (Editor)</strong><br><em><a href="https://www.palestinebookawards.com/books/item/producing-palestine-the-creative-production-of-palestine-through-contemporary-media?highlight=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" rel="nofollow" style="color:#cd1417 !important;">Producing Palestine: The Creative Production of Palestine Through Contemporary Media</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Mishra, Pankaj</strong><br><em><a href="https://www.palestinebookawards.com/books/item/the-world-after-gaza" rel="nofollow" style="color:#cd1417 !important;">The World After Gaza</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Muna, Mahmoud (Editor) and Teller, Matthew (Editor)</strong><br><em><a href="https://www.palestinebookawards.com/books/item/daybreak-in-gaza-stories-of-palestinian-lives-and-culture" rel="nofollow" style="color:#cd1417 !important;">Daybreak in Gaza: Stories of Palestinian Lives and Culture</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Sabawi, Samah</strong><br><em><a href="https://www.palestinebookawards.com/books/item/cactus-pear-for-my-beloved-a-family-story-from-gaza" rel="nofollow" style="color:#cd1417 !important;">Cactus Pear for My Beloved: A Family Story from Gaza</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Salem, Shadi</strong><br><em><a href="https://www.palestinebookawards.com/books/item/beneath-the-gaza-sky?highlight=WyJiZW5lYXRoIiwidGhlIiwiZ2F6YSIsInNreSIsImJlbmVhdGggdGhlIiwiYmVuZWF0aCB0aGUgZ2F6YSIsInRoZSBnYXphIiwidGhlIGdhemEgc2t5IiwiZ2F6YSBza3kiXQ==" rel="nofollow" style="color:#cd1417 !important;">Beneath the Gaza Sky</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Shambrook, Peter</strong><br><em><a href="https://www.palestinebookawards.com/books/item/policy-of-deceit-britain-and-palestine-1914-1939" rel="nofollow" style="color:#cd1417 !important;">Policy of Deceit: Britain and Palestine, 1914–1939</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Tarbush, Mohammad</strong><br><em><a href="https://www.palestinebookawards.com/books/item/my-palestine-an-impossible-exile" rel="nofollow" style="color:#cd1417 !important;">My Palestine: An Impossible Exile</a></em></p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><strong>Yap, Chin-Chin</strong><br><em><a href="https://www.palestinebookawards.com/books/item/palestine-in-the-air-a-cultural-history-of-palestinian-aviation" rel="nofollow" style="color:#cd1417 !important;">Palestine in the Air: A Cultural History of Palestinian Aviation</a></em></p></li></ul><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">The shortlist will be announced in July, and the final winners will be revealed in November. Check out the <a href="https://www.palestinebookawards.com" rel="nofollow" style="color:#cd1417 !important;">Palestine Book Awards</a> for past winners and more details.</p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>Virtual: Book Launch for </strong><em><strong>Naseej: Life‑Weavings of Palestine</strong></em><strong>, 2 July</strong></h3>
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  <a href="https://docs.google.com/forms/d/e/1FAIpQLSfMxcsEOYutsWDP-RelsUC_V0MacCMfh8Ad_L0B2itLVgIykg/viewform" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/8d43ba87-4e52-4faa-a372-6c76f32a7f52/Naseej+Book+Launch+Insaniyyat.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Join <a href="https://www.insaniyyat.org" rel="nofollow" style="color:#cd1417 !important;"><strong>Insaniyyat</strong></a>, the Society for Palestinian Anthropologists, for the the <a href="https://docs.google.com/forms/d/e/1FAIpQLSfMxcsEOYutsWDP-RelsUC_V0MacCMfh8Ad_L0B2itLVgIykg/viewform" rel="nofollow" style="color:#cd1417 !important;">online launch</a> of their first book project, <em><strong>Naseej: Life-Weavings of Palestine</strong></em> (Pluto Press, 2025). Naseej, meaning “tapestry” in Arabic, is a book about diverse forms of life, communities, histories and continuities in Palestine. It compiles essays, short stories, poetry, interviews, and visual art to tell an aspect of the Palestinian story that has not been told: the severing of Palestinians from vast and ancient regional histories, and the stifling of its precious patchwork of languages, ethnicities, cultures, religions and practices.<br><br>Arriving at a moment of utter devastation – one of the most difficult in Palestinian history – this vibrant collection celebrates the diversity of life in Palestine. From the trajectories of Romani groups to the formations of religious communities like Ahmadiyya Muslims in Haifa, to the political experience of Black Palestinians and much more, Naseej asks what kind of threads remain of this tapestry after some 150 years of modernity and colonialism.<br><br>The <a href="https://docs.google.com/forms/d/e/1FAIpQLSfMxcsEOYutsWDP-RelsUC_V0MacCMfh8Ad_L0B2itLVgIykg/viewform" rel="nofollow" style="color:#cd1417 !important;">event</a> will feature reflections and readings from the editors of the book, Arpan Roy and Noura Salahaldeen, as well as Jumana Manna, Ahdaf Soueif, Salim Tamari, and Sheikha Helawy.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">The online event will be held on Wednesday, July 2, 2025 at 4:00 PM Palestine / 9:00 AM EST via Zoom. <a href="https://docs.google.com/forms/d/e/1FAIpQLSfMxcsEOYutsWDP-RelsUC_V0MacCMfh8Ad_L0B2itLVgIykg/viewform" rel="nofollow" style="color:#cd1417 !important;">Register here to attend.</a></p>
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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Join <a href="https://darjacir.com/Home-Page" rel="nofollow" style="color:#cd1417 !important;">Dar Jacir</a> and the <a href="https://www.qattanfoundation.org/en" rel="nofollow" style="color:#cd1417 !important;">A M Qattan Foundation</a> Tuesday, July 1st at 18:00 for a screening of five short films not to be missed!!!<br><br><em><a href="https://www.qattanfoundation.org/en/am-qattan-foundation-prepares-launch-group-exhibition-i-shall-carve-sun%E2%80%99s-words" rel="nofollow" style="color:#cd1417 !important;">I Shall Carve the Sun’s Words</a></em>, curated by Reem Shadid, is an exhibition that brings together artists and cultural practitioners committed to confronting the crisis of reading history in the present—without hesitation or compromise.<br><br>The exhibition seeks to reclaim perceptions of liberation as a “praxis,” and to re-question the complex entanglements between history, time, occupation, and the fragmented experiences of Palestinians across occupied Palestine and the diaspora.<br><br>As part of the exhibition’s public program, the organizers present a selection of short art films that portray a composition of our living conditions. These films attempt to trace memory, remembrance, and the transformation tethered to time—whether in exile or under occupation.<br><br>They explore themes such as the collision of childhood with reality, isolation, the surreal nature of time, and the act of image-making as a tool for preservation and recollection. The films employ a variety of artistic tools, including animation, movement and dance, and archival materials—creating a sense of intimacy between collective experience and personal engagement with it.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Contact <a href="https://www.instagram.com/p/DLVVOMsIrDm/" rel="nofollow" style="color:#cd1417 !important;">Dar Jacir</a> with questions and for more information.</p>
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  <a href="https://www.bam.org/film/2025/contemporary-arab-cinema" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/3892b8f0-8689-4859-8d13-231fe71d5d8d/2d0538560a7f9ba3d683e3e5b37ba00c3e2aad19.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">From July 9 through July 17, Brooklyn Academy of Music will be hosting its annual series of <a href="https://www.bam.org/film/2025/contemporary-arab-cinema" rel="nofollow" style="color:#cd1417 !important;"><strong>Contemporary Arab Cinema</strong></a>. This year’s series spotlights a region still reckoning with the weight of its past and the uncertainty of its future. In Syria, after 55 years, the long shadow of the Assad regime has lifted. Lebanon inches towards reform with a new President and cabinet. In Gaza and Sudan war rages on, a relentless crisis with no clear end in sight. From these shifting landscapes come a vital selection of films—not just about survival, but also about agency, identity, and imagination.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">This year’s selection features a number of films by Palestinian filmmakers and about Palestine, including:</p><ul data-rte-list="default" style="padding-left:25px;"><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://www.bam.org/film/2025/contemporary-arab-cinema-to-a-land-unknown" rel="nofollow" style="color:#cd1417 !important;"><strong>To A Land Unknown</strong></a></em>, directed by Mahdi Fleifel, on July 9</p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://www.bam.org/film/2025/contemporary-arab-cinema-happy-holidays" rel="nofollow" style="color:#cd1417 !important;"><strong>Happy Holidays</strong></a></em>, directed by Scandar Copti, on July 12</p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://www.bam.org/film/2025/contemporary-arab-cinema-thank-you-for-banking" rel="nofollow" style="color:#cd1417 !important;"><strong>Thank You For Banking With Us</strong></a></em>, directed by Laila Abbas, on July 13</p></li><li style="font-weight:normal;margin-top:0px;margin-bottom:0px;margin-left:15px;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://www.bam.org/film/2025/contemporary-arab-cinema-coexistence-my-ass" rel="nofollow" style="color:#cd1417 !important;"><strong>Coexistence, My Ass!</strong></a></em>, directed by Amber Fares, on July 15</p></li></ul><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.bam.org/film/2025/contemporary-arab-cinema" rel="nofollow" style="color:#cd1417 !important;">Visit BAM to check out the full lineup and to purchase your tickets. </a></p>
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  <a href="https://commapress.co.uk/books/voices-of-resistance" style="color:#cd1417 !important;"><img class="section-scaleable-image" src="https://images.squarespace-cdn.com/content/5dc28b3ef5c7307ff86946cd/a61aef8d-d02c-459b-9a28-135d5bbe0e38/Comma+BOTW.png?content-type=image%2Fpng&amp;format=750w" width="594" alt="" style="font-size:.6666666666666666em;display:block;border:0;text-decoration:none;line-height:0;background-color:transparent;font-weight:normal;height:auto;width:100%;max-width:100%;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;"></a>


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      <blockquote style="padding-left:20px;padding-right:20px;"><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><a href="https://commapress.co.uk/books/voices-of-resistance" rel="nofollow" style="color:#cd1417 !important;"><strong>VOICES OF RESISTANCE</strong></a> is the most powerful work of collective testament I have ever read. It is a breathtaking and spirit-forging book. It tells it as it is. It could not be more crucial or more urgent. Read it now.</em></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">—Ali Smith</p></blockquote><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">For two years, the world has witnessed image after devastating image from Israel’s genocide in Gaza: videos, photos, and Instagram reels showing blanket bombardment, cities in ruin, and entire families pulled from the rubble of their homes. Such enormity can be difficult to process, but behind each image lie ordinary lives full of hope, love and&nbsp;community.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">In <a href="https://commapress.co.uk/books/voices-of-resistance" rel="nofollow" style="color:#cd1417 !important;">these diaries</a>, four Gazan women –&nbsp;<strong>Batool Abu Akleen, Sondos Sabra, Nahil Mohana</strong> and <strong>Ala'a Obaid</strong> –&nbsp;offer first-hand accounts of Israeli airstrikes, forced displacement and engineered famine. These atrocities are documented alongside the everyday defiance of Palestinians: from the neighbour who fashions an ashtray from the shrapnel of an Israeli missile, to the street vendor who donates his last egg for a&nbsp;child’s birthday cake, to the community of displaced people who pool their resources to stage a&nbsp;traditional wedding.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;">Even when displaced, under fire, forced to bury loved ones, or thrown on the mercy of a&nbsp;devastated health system, the writers of these diaries never abandon their humanity, their individuality, or their belief in the future of Gaza. These are not stories of pity; these are stories filled with love, humour, and the beauty of Palestinian people and culture. In&nbsp;the face of genocide, the existence of these diaries, like the very survival of their authors, is an act of&nbsp;resistance.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><em><strong>VOICES OF RESISTANCE </strong></em>publishes on July 17. <a href="https://commapress.co.uk/books/voices-of-resistance" rel="nofollow" style="color:#cd1417 !important;">You can preorder your copy from Comma Press.</a></p>
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      <h3 style="color:inherit;margin:1.414em 0 .5em;font-weight:400;line-height:1.25em;font-size:2.25em;mso-line-height-alt:2.25em;margin-top:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:0em;"><strong>Media Roundup</strong></h3><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://averyreview.com/issues/72/gaza-pages-june-27-2025" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Gaza Pages, June 27, 2025</span></strong></a> – The editors of <em>The Avery Review </em>introduce the “Gaza Pages” of their latest issue, dedicating it “to life and the living; to writing as witness, writing as insistence. As two million Palestinian people in Gaza continue to fight for life, to create and save what they can every day, to raise their children and take care of their loved ones, to find ways to go on, the writers of Gaza have continued to write.”</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://averyreview.com/issues/72/return-to-the-sky" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Return to the Sky</span></strong></a> – A poem by Nasser Rabah, in translation by Wiam El-Tamami: “Return. / To a country that produces / poetry and oranges. To girls / swaying like geese on their way / to school—on their way over / here.”</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://averyreview.com/issues/72/fragments-fire" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">In Fragments, in Fire: Four Books from Gaza</span></strong></a> – Alaa Alqaisi reviews four recent books from Gaza published in English to make the case for what she calls survival literature: “There are cities that fall all at once and cities that fall slowly, but Gaza is neither. Gaza falls repeatedly, in cycles that erase and then erase again, each collapse more total than the one before. It is a geography of vanishing, of absence becoming permanent.”</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://averyreview.com/issues/72/thorn-in-the-eye-of-occupation" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">A Thorn in the Eye of the Occupation</span></strong></a> – <em>The Avery Review</em> interviews Husam Maarouf about the difficulties of launching and running a new publishing house, <em>Gaza Publications</em>, under conditions of genocide.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://lareviewofbooks.org/article/ghassan-kanafanis-guerrilla-rhetoric-then-and-now/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Ghassan Kanafani’s “Guerrilla Rhetoric,” Then and Now</span></strong></a> – Jay Murphy reviews the recent collection of Ghassan Kanafani’s <em><a href="https://bookshop.org/a/16160/9780745349374" rel="nofollow" style="color:#cd1417 !important;"><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Selected Political Writings</span></a></em> to study, as Kanafani would, the applicability of his political thought to the present moment.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://newlinesmag.com/essays/historicide-in-gaza/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Historicide in Gaza</span></strong></a> – Lydia Wilson argues that Israel is destroying history itself — leveling archives and libraries, decimating historical artifacts and archaeological sites, looting cultural institutions and burning books — in order that future accounts of our present can only be narrated from the Israeli official position.&nbsp;</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.nplusonemag.com/online-only/online-only/wave-of-domination/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Wave of Domination</span></strong></a> – Dylan Saba argues that the resurgent politics of domination in both domestic and global politics since October 7 represents the wholesale demise of the liberal order.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://jewishcurrents.org/how-support-for-palestine-became-a-hate-crime" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">How Support for Palestine Became a Hate Crime</span></strong></a> – Mari Cohen examines how hate crime legislation in the United States is increasingly becoming a weapon for collapsing anti-Zionism and antisemitism by heightening charges against pro-Palestinian activists.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.nybooks.com/online/2025/06/24/gaza-the-war-on-dialysis/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Gaza: The War on Dialysis</span></strong></a> – Reporting from Gaza, Amro Hamada describes the balancing act of sustaining the lives of his patients with kidney failure as a synecdoche of the broader impossibility of survival under the blockade and the constant bombardment.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://proteanmag.com/2025/06/26/third-red-scare-same-as-the-first/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Third Red Scare, Same as the First</span></strong></a> – Ben Nadler and Oksana Mironova explore the tactical and ideological parallels between the First Red Scare and the present targeting of Palestinian activists across the United States.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://al-shabaka.org/commentaries/timed-for-impunity-israels-war-on-iran/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Timed for Impunity: Israel’s War on Iran</span></strong></a> – Yara Hawari examines the escalation between Iran and Israel and discusses the broader political forces driving it.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://electronicintifada.net/blogs/maureen-clare-murphy/no-truce-horizon-gazas-children-starve" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">No Truce on Horizon as Gaza’s Children Starve</span></strong></a> – Maureen Clare Murphy reports on how the Iran-Israel ceasefire, in tandem with the ongoing failures of the Israeli ground operation in Gaza, are building pressure for Israel to agree to a ceasefire.&nbsp;</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://www.middleeasteye.net/opinion/palestinians-are-massacred-staying-israelis-are-desperate-flee" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">As Palestinians Are Massacred for Staying, Israelis Are Desperate to Flee</span></strong></a> – Joseph Massad describes how the Israeli government has imposed exit bans on Israelis trying to flee retaliatory strikes from Iran, even as Palestinians remain steadfast in wanting to remain in Gaza.</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://jacobin.com/2025/06/starmer-uk-palestine-action-ban" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Keir Starmer’s Palestine Action Ban Is a Threat to Democracy</span></strong></a> – Daniel Finn examines the lack of legal precedent in the UK government’s decision to proscribe the group Palestine Action as a terrorist group.<strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">&nbsp;</span></strong></p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://arablit.org/2025/06/25/new-poetry-in-translation-baraah-qandeels-suffocation/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">Suffocation</span></strong></a> – Baraa’h Qandeel, an emerging literary translator in Gaza, self-translates her own poem: “I will pour out all the questions now, / burn the question marks, / and endure all this sizzling pain inside me / until night fall, / when the cycle repeats, and I spit out my fire.”</p><p class="" style="color:inherit;font-size:1em;line-height:1.618em;margin:0 0 1.25em 0;font-weight:normal;margin-bottom:0;font-family:'DejaVu Sans Condensed', 'Liberation Sans', 'Nimbus Sans L', 'Helvetica Neue', Helvetica, Arial, sans-serif;letter-spacing:-.01em;"><a href="https://mizna.org/mizna-online/terror-counter-excerpts/" rel="nofollow" style="color:#cd1417 !important;"><strong><span style="font-size:inherit;font-weight:inherit;line-height:inherit;margin:0;text-decoration:underline;">TERROR COUNTER—Excerpts</span></strong></a> – Mizna shares excerpts of Fargo Nissim Tbakhi’s debut collection of poetry: “When my poems disintegrate You will remain in the documents of the court / When the courts disintegrate You will slip with me into anonymity / Where we began and where we looked for love.”</p>
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